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Gräfenhausen near Pforzheim, on the morning of April 29, 1997: Harry Wörz is awaited by a large police force as he leaves his apartment and is immediately arrested. He is said to have visited the policewoman Silke, with whom he is still married but no longer lives together, the night before and choked her so hard with a scarf that she suffered serious injuries.

During the Greek summer in the war year of 1944, a German military unit sets up camp on the plateau of Thebes. Armed with a 16 mm camera, the captain of the unit, a former professor for classical Greek philology, comes up with the idea to film the myth of Oedipus.

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Katharina Bruckner, 50, has to deal with many serious cases in the youth welfare office. Even at home she is under stress: Her husband, a surgeon, she sees arm in arm with a younger. And her daughter, who has to go to Marrakech for work, quickly incurs her grandson. In this situation, school psychologist Schubert asks her for help: The city-renowned architect Bremer has appeared with him with her seven-year-old son because of its over-activity in school. The boy looks scared, claims that the Bremer is not his mother, suddenly seems to have disappeared.

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